DOK.fest Munich 2011, Germany
May 4 – 11, 2011
East Silver Caravan in programme:
Vše pro dobro světa a Nošovic, Czech Republic, 2010, 82 min, 35 mm, Creative, Personal View, Social Issues
An original portrait of a Czech village that houses a giant car plant built by South Korea's Hyundai. Before the village turned into an industrial zone, many of the landowners had no intention of selling their plots of land... Not until many of them faced pressure from their neighbours who had accepted approx. EUR 4000 in compensation and not until they received death threats. Using nine protagonists, the film paints a portrait of a village changed beyond recognition. A humorous yet compelling film about a field that yields cars.
East Silver 2010 / East Silver Caravan 2010 / Silver Eye Nominee 2010 / Docu Talents from the East 2010
Selo bez žena, Croatia, France, 2010, 83 min, Digi Beta, HD, Creative, Social Issues, Society
In Southwest Serbia, atop a mountain and four kilometres from the nearest road, the Jankovic brothers hold down the fort in the womanless village of Zabrdje. Dragan, Zoran, and Rodoljub, along with their neighbour, Velimir, represent the entire population of what was once a vibrant rural community. They live in tough conditions. No running water, no roads, not even a hint of a woman’s touch. Not to mention, the three brothers still share the same bedroom. Zoran, the eldest brother, dreams of marrying a woman capable of handling life in Zabrdje. Can he fulfil his dream and renew hope in his village?
East Silver 2010 / East Silver Caravan 2010 / Ex Oriente Film 2008 / East European Forum 2008 / Docu Talents From the East 2009
Cinema Komunisto, Serbia, 2010, 100 min, Digi Beta, HD, Arts and Culture, Creative, History, Politics, Society
When reality has a different script from the one in your films, who wouldn't invent a country to fool themselves? Using rare footage from dozens of forgotten Yugoslav films, as well as never-seen-before archive from film sets and Tito’s private screenings, the documentary recreates the narrative of a country, the stories told on screen and the ones hidden behind it. Stars such as Richard Burton, Sofia Loren and Orson Welles add a touch of glamour to the national effort, appearing in super-productions financed by the state. Tito’s favorite film director, his projectionist who showed him films every night for 30 years, the most famous actor of partisan films, and the director of the film studios who was a secret policeman – all tell how the history of Yugoslavia was constructed on the screen.